An intimate view of the artist who becomes the subject she once painted.

Georgia was eight when she first recognized beauty.

Not the polished kind but the kind shaped by presence and stillness. An M and S Christmas advert caught her eye, the women holding themselves with quiet intention. That moment stayed with her. It was her introduction to form, to the body as art, to the subtle language of shape and gaze.

Now twenty seven, Georgia moves between canvas and camera with an instinct that feels almost inevitable. She paints bodies the way memory holds them soft edges blurred color suggestion instead of detail the early roots of a contemporary female photographer and painter emerging long before she knew the path.

Becoming the subject she once searched for

When she steps in front of the lens she becomes the woman she once studied on canvas a female artist who paints and photographs her own body unfiltered and direct. She says,

"I've never called myself a model before. Maybe I should start? I don't know. All I know is I'm a girl who loves to be in front and behind the camera. It's freeing," she reflects.

The studio where memory becomes form

Her work is not about perfection. It is about truth. The truth of flesh. The truth of curve. The truth of being seen without performance. In her studio she studies the body. In front of the lens she offers it. Both versions are her.

Her studio holds its own quiet language. Canvases rest against the wall. Thin layers of color settle across the surface. Her paintings feel like memories not replicas the atmospheric style often found in body focused contemporary art more than technical realism.

Through painting she learned that insecurities often live louder in the mind than in the body. She discovered that what she notices about herself is not always what others see. That realization shaped her work and the way she views her subjects.

Between artist and muse

Photography is where Georgia feels most present. She becomes both the observer and the observed the duality common among modern women creating self portrait art. There is a soft confidence in the way she holds her gaze. A quiet knowing.

"You have to stop caring what other people think,"

Simple words but they settle with truth. She learned to choose what feels right on her body instead of what looks right to someone else. Joy became the foundation of her presence in front of the lens.

A body that lived. A body that gave.

This part of her work is not about seduction. It is about softness. A moment where the body becomes shape light and breath. She does not overperform. She allows the viewer to be still with her.

Motherhood changed the way she sees herself. She honors the body that carried her daughters and fed them. She sees strength in the places that once caused doubt. Not framed as empowerment but as fact the beautiful truth of a lived body a female artist whose work studies motherhood and form.

The mirror is another part of her studio. Not for comparison but for recognition. She meets her own reflection the same way she meets a blank canvas. With curiosity instead of critique.

This is where she becomes her own muse. Not through confidence. Through presence.

Courage first. Confidence after.

Georgia lives by one thought.
She says,

"First comes courage then comes confidence."

For her this is not a motto. It is a practice. A way of stepping into the frame before she feels ready. A way of trusting that confidence grows from action not the other way around.

Her story is a portrait of a contemporary female photographer and painter studying her own form and honoring what she finds. A woman creating art from the same body she is learning to see with clarity. A woman becoming the muse she once searched for.

To follow her work and see more of her photography connect with her on Instagram @_giababyy